Camille Montagne, Mont-Louis

Camille Montagne is a poet, storyteller and actress. A 2017 graduate in performance from UQAM’s École supérieure de théâtre, she now lives in the Mont-Louis valley. She strives to care for her community, support indigenous resurgences and weave queer feminist imaginaries. Camille seeks out stories and poems as one collects pebbles, to drag to the bottom of a pocket or place on a windowsill. She is co-artistic director of Théâtre des petits paradigmes poreux alongside her great accomplice, director Wina Forget. She is currently working on a dramatic text set on a barricade defending a territory. (Photo: © Annie Ethier)

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Camille Tremblay Fournier, Gaspé

Camille Tremblay-Fournier always does a bit too much (teacher, social worker, doula, queer feminist activist, community organizer), one buttock between the Gaspé, Montreal, the Magdalen Islands and Northern Quebec. While she’s most passionate about poems that hurt or make you laugh, it’s political essays on social reproduction and feminized labor that have fueled her creative existence in recent years. Her ambition, in the distant future, is to let go of her prefrontal cortex in favor of sensations, in order to pick up the ideas that have been nagging at her (Photo: © Courtesy of the author).

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Charlotte Vaidye-Bourgault, Douglastown

Charlotte Vaidye-Bourgault composes poetry and music between Gaspé and Montreal. Her musical project Char is an invitation into a dreamlike, unusual universe. Char plays on various Quebec cultural stages, including Gesù, Théâtre de la Vieille Forge, La Pointe Sec and Verre Bouteille. Her music, both introspective and contemplative, aims to redefine song in its own way and create an encounter with everyone⸱e sensibility. She’s releasing a pop-flavored, quirky and buoyant album in 2022, as well as an experimental microalbum in 2023. Her poetic texts have appeared at the Festival d’arts littéraires de Gaspé (2022 and 2024) and the Retraite d’écriture féministe à Salon58 (2023). Charlotte believes in ghosts, in the infinite power of community gathering and in poetry as our greatest opportunity. (Photo: © Guillaume Boulay)

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Claire Moeder, Maria

Claire Moeder is an author. Based in Gaspésie since 2017, she initiates literary projects in the form of experimental walks, writing workshops and microeditions where human narratives and singular territories are linked. As a creator and walker in motion, she is also open to new feminist approaches to writing about the place of the living, motherhood and the sovereignty of the body.

Claire has collaborated on several magazines (Ciel variable, Vie des arts, Le Sabord), creations and residencies (DARE DARE, AdMare, Jardins de Métis, Centre SAGAMIE) linking writing to the visual arts. In 2024, she published the poetry collection le ventre des roches (Éditions du Noroît) and the micro-publication les marcheuses. In 2025, she will publish les eaux, a book created six-handed with artists Alphiya Joncas and Anne-Marie Proulx in the Magdalen Islands (Les éditions de la Morue verte & AdMare). (Photo: © La Nomade photographie)

 

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Gabrielle Huot-Foch, Montréal

A lifelong literary artist who has worked in a variety of contexts and jobs, Gabrielle has made the reinvention of the self an ongoing object of interest. In addition to being inhabited by (almost) constant self-doubt, she has completed a Master’s degree in research-creation focusing on the relationship between care, space and self-narratives. She has also published two zines in collaboration with Atelier universel and texts in the magazines Les Écrits, Mœbius and Liberté. At present, she is trying to rediscover writing in her new daily life as a teacher (Photo: © Élise Deschênes).

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Jess Roy, Montréal

Jess Roy is no stranger to wandering, jumping from rooster to donkey and cracking jokes. She’s one of the people behind Coup d’Griffe, l’Attaque, Hochelaga Mon Amour, Zine de zines and a host of other projects. Founder of Nœuds Éditions, she’s busy bringing to the world stories and voices she’s been searching for too long – so you don’t have to. She mixes genres in her own way, always using art and literature as unifying and transformative tools. (Photo: © Courtesy of the author)

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Joé·e Dufresne, Montréal

A bimbo camouflaged in a teenage body and parent to a toddler raised in a proto-commune, Joé-e Dufresne is also co-founder of the feminist bookshop L’Euguélionne, and has worked there since it opened in 2016. From 2012 to 2023, she worked with the micro-publishing and printmaking collective Possibles éditions. Her writing veins meander along the lines of autotheory, subversive maternity and the archaeology of hidden queer histories of female icons in popular culture. Joé-e lives in Montréal/Tiohtià:ke/Mooniyang, with her queer family of five adults, one child and a German shepherd. (Photo: © Camille Gravel)

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Joëlle Gauvin-Racine, Saint-Jean-Port-Joli

Joëlle Gauvin-Racine lives in the L’Islet region, on Wolastokuk, the ancestral territory of the Wolastoqey nation. She is a poet and anthropologist. Her poems have appeared in the magazines Exit and Caminando, on the Fabrique culturelle and on the poetry bulletin board at Quebec City’s Maison de la littérature. Through her poetic writing, she seeks ways to stand firm in the midst of the multiple griefs that are part of our existence, without giving up and without abandoning joy. In 2023, Joëlle was a finalist for the Prix Relève professionnelle in Chaudière-Appalaches. She likes to write by a window, read by her lover and live by the trees (Photo: © Courtesy of the author).

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Katy Collet, Douglastown

Katy Collet, also known as Trace d’encre, is a self-taught multidisciplinary artist who lives and loves the Gaspé Peninsula. A community and cultural worker, her artistic approach is inseparable from her collective and social commitment. With the intention of creating art that connects, she is interested in the links of belonging and interdependence between communities, territory, nature and living together. She is co-founder of La Griffe (2022), an independent publication with a social flavor in the Gaspé Peninsula, as well as Ateliers À Travers in Percé (2023), a space dedicated to printed art by and for artists and the general public. At the same time, she has embarked on a co-writing project on living in an intentional community in a remote region, where she reflects on the inconsistencies that run through us and the difficulties to be overcome, because of the choice of such a lifestyle. Her studio door is always open for a peek or a chat (Photo: © Isabelle Huard).

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Laurence Lallier-Roussin, La Martre

Laurence Lallier-Roussin (elle/il) is a multidisciplinary artist. Her site-specific show La pointe mouillée will be presented at FURIES – festival de danse contemporaine in July 2025. Laurence is the author of Conte bright comme une pierre précieuse (2025), a little book that crosses the political potential of wonderful oral tales with queer speculative fiction imaginaries. She is also producer and curator of POST-FURIES and the Post-Pistoles cabaret, initiatives that disseminate performance art and unclassifiable living arts in community and queer contexts. Laurence lives in Haute-Gaspésie (Photo: © Audrée Lewka)

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Leïla Sofiane, Caplan

Trained in social theatre and computer science, Leïla Sofiane has become a spoken word artist. Their practice weaves between libraries, their journals, and their journey through the surrounding landscapes. While their thinking is queer and intersectional, their work is a quest for accessibility, beauty, and ecstasy. They share poetic fragments on Quebec stages, through micro-publishing, in printed collections and magazines, as well as online.

In their spare time, they tend to vegetables, their chosen family, and a rebellious spirit, in Gespe’gewa’gi, the unceded Mi’gmaq territory commonly known as the Gaspé Peninsula. (Photo: © Lolographer)

 

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Marie-Pier Bédard, Mont-Saint-Pierre

Originally from Richelieu in Montérégie, Marie-Pier Bédard moved to Mont-Saint-Pierre in Gaspésie in 2016. In 2022, she completed a graduate microprogram in art therapy to bridge the gap between her professional life and her own creative process. This experience decomplexed her relationship with creation and enabled her to take on an autotelic practice; first through painting, then through writing. With a degree in social work, she truncated her career in 2023 for teaching arts and culture in secondary schools. She took part in her first feminist writing retreat in Salon58 in 2023. Since then, she has published texts in the magazines Magazine Gaspésie and La Griffe, and in the collection Je garde mes lunettes fumées près de moi. Her paintings were exhibited in the village square of Mont-Saint-Pierre in the summer of 2024 and will be in March 2026 at the Chic-Chocs school service center. There’s no doubt she’s off to a flying start (Photo: © GLang)

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Michelle Gauthier, Eastman

Her professional career has been marked by many years devoted to teaching. This immersion at the heart of learning not only nourished her mind, but also cultivated a fascination for language and its power.

Her attachment to reading and writing has stayed with her over the years. Exploring a diversity of subjects, constantly learning and seeking to understand the complex world around us through the prism of words are passions that drive her every day.

Today, she pursues this literary exploration with the hope that her creative journey may inspire those around her, revealing to them the beauty of personal expression and the importance of leaving a unique mark. (Photo: © Courtemanche)

 

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Nadia Gagné, Rimouski

A multidisciplinary artist based in Rimouski, Nadia Gagné works mainly in performance/installation, in the visual and living arts. Narrative, speech and writing run through all her creations. Deploying self-reflexive works or the voices of other subject-persons, her work questions determinisms, injunctions, commonplaces and other inducers of social discomfort. More recently, she has taken an interest in the experience of racialization and exoticization of people who are said to be mixed-race, but whose cultural identity is not. Her projects are most often developed in the context of residencies, notably at Clark, Caravansérail, Espaces F, Ubchihica, CLAC Mitis and Théâtre du Bic (Photo: © Laurie Edwidge Cardinal).

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Nathalie Bernier, Matane

Trained as an actress, Nathalie Bernier has been active in her region’s cultural milieu for nearly 20 years. A versatile, neurodivergent artist, she writes, directs and acts both on stage and for the camera. Various grants have enabled her to distribute her short films in Canada and Europe. She has been seen on many stages as a light-hearted yet intense actress, as well as in every edition of La Soirée des doublures as a performer-improviser. Nathalie lives in Matane and also coordinates a feminist organization in the Lower Laurentians that works to defend collective rights. (Photo: © Courtesy of the author)

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Rayla Corbeil, Montréal

At 9:28 p.m. sharp, April 7, 2025, Raÿla remembers that she has to send in her biography by midnight tonight, along with a 12-page assignment. As usual, she surprises herself by forgetting one assignment, but will certainly forget the next. Raÿla’s nature is sparse, jovial and sensitive. She loves life with her roommates, bike trips and the La Noce festival party bus more than anything. She hates moving appliances, the anti-choice sandwich man who hangs out in front of her university and, while we’re at it, the current political climate. Raÿla is currently studying sexology and dreams of a world where she could write more poetry and less essays. She has published in a number of literary magazines and hopes one day to bring out a collection. A project was born at last year’s retreat (2024). Who knows, maybe this edition will give her the space she needs to pursue her mission! (Photo: © Rémi Ouellette)